SHE JUST CAN’T KEEP HER MOUTH SHUT
Jazz Tremaine is having nightmares, terrible nightmares. These are the kind of night terrors where you wake up sweaty and scared, remembering every detail and still able to feel every touch, every blow, hours after the fact. Her first one is so real, so physical, with the only other person in the dream being her boyfriend, that she accuses Nick Gregory of actually attacking her. Mistake #1!
Never mind the fact that as she roars awake, Nick is solidly asleep beside her. It takes hours for Jazz to convince herself that the attack was not real and she makes the appropriate apologies to Nick. However, she doesn’t give him the details behind her initial accusation. Mistake #2!
Trying to chalk the nightmare up to spicy food and graphic videos just before bed, Jazz attempts to get on about her daily routine. Unfortunately, this is not meant to be as Jazz’s wards are accused of the disappearance and apparent murder of a local carnival worker. She secrets the wards away but does not start her investigation into the charges immediately. Mistake #3!
Fortunately for the two wards, Jazz and Nick are not your typical couple. Jazz is a powerful witch, over 700 years old, and Nick is centuries older than that and a vampire. Because of her heritage and her potential, Jazz has suffered innumerable indignities and tragedies even at the hands of her own kind. And Nick has been an Enforcer with the vampire Protectorate for longer than Jazz has been alive. Self-employed, Jazz uses her skills to eliminate curses and spells put upon others and Nick has his own PI business, supposedly retired from Protectorate service.
And currently, someone wants Jazz, and probably Nick, dishonored, disenfranchised, destroyed mentally and physically, and ashes-to-ashes dead. Jazz and Nick don’t know it yet, but we, as readers, are informed early on that that is the case. We just don’t know who or why. Thus, as we read, every scene involving the dreams, the feeling Jazz has of a malevolent presence close enough to touch but not see, and even the framing of the wards is colored by our omniscience. Needless to say, we are faced with hundreds of pages of ever-ratcheting tension.
This is not a standalone novel. In this 2nd entry in the series, Linda Wisdom makes repeated references to incidents that occurred in the 1st novel, without any synopsis or adequate background. Therefore, I strongly suggest that you read that entry first, or if it has been awhile since you read it, go back and quickly review the action. There is a definite correlation between what was and what now is.
Another tack that Linda Wisdom has taken with this book is to make our main protagonist, Jazz, an obnoxious “witch.” And I mean that both literally and figuratively. In the first novel, as we obtain her backstory, we can somewhat understand her emotional state. But in this novel, Wisdom has taken her character over the top, past snark and quick-wittedness, to an in-your-fact offensiveness that grates like fingernails scraping across a board.
Jazz’s anger is always at the tip of her tongue and at the tips of her fingers, ready to unleash her acid words or her witchflame at the slightest provocation. It is no wonder so many supernatural creatures despise her and that she has so few friends. And those same characteristics that make the others think her troubles couldn’t happen to a better witch – her belligerence, her sarcasm, her aggressiveness, and her self-absorption – make it difficult for the reader to empathize with her, also. Even Nick loses his patience and compares her to a five-year-old. After 700 years, you would think that Jazz would have learned the difference between honey and vinegar and the decided advantage of think first, speak and act later. But that is not how Wisdom chooses to write the character and I found myself skimming past the snit fits.
So even as annoying as Linda Wisdom paints Jazz, even as inscrutable as she writes Nick, even as you scream for the characters to “just communicate already,” the mysteries involved are well worth the reading time. Childishness aside, you just can’t help but want to know who is trying to take down Jazz Tremaine this time. And while there is no cliffhanger, there are a lot of little hooks, details not cleaned up in this entry, which just might provide fodder for future novels.
Cover Art From Goodreads